Moroccan rug motifs influenced designers such as Ivan Da Silva Bruhn and Vladimir Boberman. American Interior Designer Francis Elkins used them in some of her most notable interiors in the 1930’s and 1940’s.
The symbolism of the Berber tradition is often referred to as the “Infinite Rapport”, meaning the pattern and the spirit of the work extends beyond its physical borders. Many examples of Berber carpets show shifts in the pattern, reflecting a change in life events, a different weaver taking over the rug or spontaneous creative expression.
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