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Moroccan Berber Rugs

The new Orient refers to the Berbers of North Africa. Drawn on by the allure of the exotic, the traveller found in the Maghreb Al Aqsa, 'the land farthest west' , a whole other world of colour and sensuality. Artists such as Delacroix and Matisse were heavily influenced by the colors of the Moroccan  Berbers. Matisse, who spent several years there, drew inspiration and techniques of Berber rugs and textiles.

Weaving is perhaps the greatest of Berber artistic traditions , it is also one of the oldest. When the Berbers first inhabited the plains and mountains of the Atlas around 1500 BC, they are thought to have brought rudimentary weaving skills with them .

Technical improvements came with commerce. Shawls, blankets , rugs and tents were traded with the Africans of Mali, Senegal and Nigeria and the Arabs from the east,and from the Phoenicians the Berbers learned more about the art of vegetable dyes . The process was accelerated by the need of Moroccan Berber kilim rugs as blankets. United by a single religion, North Africa became one huge marketplace for the woollen cloths, brocades and silks woven in Morocco. Religious influence also brought new symbols and motifs, especially in the form of the rigorous geometries that distinguish Berber rugs.. Portuguese and Berbers ledgers from the first sultanate confirming the new status of Moroccan weaves as currency -textiles had become an integral part of the economy. Profit, however, was not the village weave's sole motive. Rugs and carpets are said to contain BARAKA, or ' beneficent psychic powers'. Vibrant colours are used to offset the darkness of dimly lit rooms, but the actual motifs are related largely to superstition .The most common of these is the hand of Fatima, used to ward off the 'evil eye' and the d'joun. Other motifs are believed to have the power to draw in the Berber universe. Interestingly and the traditional prohibition on figurative representation, tribal weaving still incorporates the Berber vocabulary of animist symbols, albeit in a disciplined, geometric form.